A white and silver anniversary

Everyone loves an anniversary. And a landmark achievement. F1 people are usually rather good at this sort of thing, as all the sponsors love a bit of Victoria Sponge cake with their logos on it and there are any number of websites that will run a photo.

If you’re lucky a crew from Sky F1 will come over and film each other dribbling jam on their shirts and doing emotive pieces to camera about your heritage. All the fun of the fair.

This year, Monaco has become Finland-on-Sea at Grand Prix time: the 1982 world champion Keke Rosberg being shoehorned back into his title-winning Williams FW08 with his 2016 world championship-winning son Nico (officially German but…), rolling out alongside him in his victorious Mercedes.

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The Rosbergs, père et fils (Dickie Stanford)

Meanwhile Finn du jour Valtteri Bottas has chosen to wear a replica Mika Häkkinen crash helmet, to mark something or other we expect.

Perhaps this is all a bid by Formula 1’s new American owners to pave the way for a highly lucrative Finnish Grand Prix deal. That would be a popular move, if rather hard going on the kidneys.

Yet some anniversaries really are special. Last year, Ferrari marked 70 years as a constructor of racing cars – and perhaps more importantly as a constructor of the myths about racing cars. Here at the S&G we shall be cutting the cake next year on the 90th anniversary of Scuderia Ferrari’s founding, but there were some nice moments in 2017 too.

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One anniversary appears to have happened without great celebration, however. It seems remarkable in this day and age that anything in motor sport can happen without a plinth being erected outside Lord March’s conservatory, a tribute crash helmet design or a commemorative piece of regalia – but here it is: in Spain, Mercedes achieved 110 race wins for its Grand Prix cars in 110 years of competition.

Now, S&G regulars will of course remember that Mercedes took itself away from Grand Prix racing as a constructor for 55 years on account of the Le Mans disaster, so it can hardly be called a continuous history in Grand Prix racing. Its attendance was also a bit patchy in the 1920-30s on account of many things (not least Germany’s international standing after World War 1), and was similarly banned after World War 2 until the 1951 season.

But take all of that aside – 110 years is a thumping period across which to have been winning Grands Prix. And an average of one per year for more than a century is a good story… two per year if you discount 1955-2010… and roughly three per year across the 40 season of Grand Prix racing that have actually been undertaken by Mercedes.

No mean feat.

Surely Monaco, the blue riband race of the year, should be playing host to the great snorting white beasts from the rough-hewn roads of Dieppe and Lyon, Caracciola’s SSK and the awe-inspiring Silver Arrows of the Thirties? Mika Häkkinen should be there in person, wearing his own helmet and tramping round in Fangio’s W196 (and complaining about its brakes again), rather than a bunch of beloved Scandiwegians.

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Why so shy? What have the patisseries of the Côte d’Azur done to deserve such a massive loss of potential earnings for silver-iced tartes tatin? What is going on here?

Perhaps Mercedes is fighting shy of claiming the 1937 AVUS-Rennen as a win for its Grand Prix cars because it is where they were dressed in extraordinary all-enveloping bodywork and hit more than 220mph. Perhaps victories like the Eifelrennen, Coppa Acerbo and Coppa Ciano are omitted from the total because, while they were for Grand Prix cars, they weren’t actual Grands Prix.

If that’s the case, then Mercedes has at least bought itself some time to actually put an anniversary party together. They are unlikely to win in Monaco but Canada is Lewis Hamilton’s fiefdom and that means – oh yes! – next up is France. So if Mercedes drops the mad 1937 race from its tally, it can claim 110 wins in 110 years in time for its return to the nation where it all began: France.

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Now wouldn’t that be an idea?

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Win a signed S.E.5 Haynes Manual

The S&G achieved a lifetime’s ambition in writing about the Royal Aircraft Factory S.E.5 – with considerable help and support from the likes of Sir Peter Jackson’s The Vintage Aviator Limited, The Shuttleworth Collection, the Farnborough Air Sciences Trust, author Derek Robinson and modern day S.E.5 pilots Rob Millinship and Richard Grace, among many others.

Apart from the offspring and a book that the S&G wrote behind the scenes at Ferrari many moons ago, probably very little will outlast this author once that cloaked figure with a scythe comes-a-knocking… but this one might. True enough it’s not exactly Harry Potter but it really is the most amazing machine that became part of some astonishing lives.

It’s the story of an aeroplane that survived the Machiavellian machinations of the British aircraft industry, inter-service rivalries, the whims of the Houses of Parliament and any number of other obstacles to end up as the fighter that created more aces than any other. If that sounds like your cup of tea, then why not have a crack at this little competition?

The following photos, taken from the book, all show factories where the S.E.5 was built as they appear today. Some have original buildings whole or in part, others are now home to much more modern monoliths – or even empty space.

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Factory 1:

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Factory 2:

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Factory 3:

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Factory 4:

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Factory 5:

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Factory 6:

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Factory 7:

 

To enter, simply name the factories in order by replying to this post as follows…

Factory 1:
Factory 2:
Factory 3:
Factory 4:
Factory 5:
Factory 6:
Factory 7:

The competition starts now and will end at 00:01 on June 23 2018. The names of those who successfully get all seven correct will be drawn from a hat by an independent name-from-hat-puller. There should probably be plenty more Ts and Cs but if you’re the sort of person who gets in a bait about such things then it’s probably best not to enter!

It’s just a bit of fun, after all…

In the meanwhile the book remains available from Haynes Publishing here, is on Amazon here and is available from all good book sellers.

America and the V8: a love story (from France)

Here’s an interesting little meander through time that takes us through the greater part of the past century – from the air war over the Western Front to Texan boogie rock.

In the 1900s, the design and development of internal combustion engines became a French speciality and in their bid to increase reliability and profitability the Monobloc engine was created. Effectively this meant that far fewer individual components were needed if the the cylinder block, cylinder head and crankcase were all forged as a single item.

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An early Monobloc design

Available as early as 1905 from manufacturers such as De Dion Bouton, the Monobloc truly came of age in the hands of Swiss designer Marc Birkigt, whose Hispano-Suiza V8 was lighter and more powerful than any other aero engine in the Allied arsenal… becoming effectively the Rolls-Royce Merlin of World War 1.

The Hispano-Suiza first found fame in the SPAD S.VII in which Capitaine Georges Guynemer briefly became the most successful Allied air ‘ace’ of the war, then became the power plant for Britain’s S.E.5 – arguably the greatest fighter design of the war. When the Americans arrived, they opted for the later SPAD S.XIII as their front-line fighter and in these machines were written the legends of Eddie Rickenbacker, Frank Luke and Raoul Lufbery, among others.

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Eddie Rickenbacker’s patriotic SPAD – beautifully captured by Jim Dietz

As with all Monoblocs, even the Hispano-Suizas encountered some problems along the way. Primarily this was down to the outsourced manufacturing quality of components rather than the fundamental engine design – although most failures would serve to highlight any inherent weakness around the gasket and exhaust.

Nevertheless, the sophistication and power of the V8, together with the enthusiasm for ‘ace’ pilots in SPADs, set America thinking. If it could use its industrial might to iron out any kinks, then V8 power could become central to postwar living.

The most effective solution to the Monobloc‘s problems was to adopt side-valve design, reducing the stresses on the weakest links in the chain. It was with the side-valve ‘Flathead V-8’ engine that Ford Motor Company took the motoring world by storm between the wars.

Having established the mass production of motor cars with the Model T of 1908, Ford was content to rest on its laurels for 18 years until the advances in engineering that emerged from World War 1 finally caught up with the old ‘Tin Lizzie’.

Ford’s belated response was the Model A, which was barely less Spartan in its simplicity than the Model T but was packaged far more elegantly and, unlike its predecessor, featured controls in the same layout as most other mass-market cars.

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The Model A Ford brought modern motoring to the masses

The Model A was a success, averaging almost a million sales per year, but the car buying market was growing ever-more sophisticated and demanding. Rivals such as General Motors were keen to offer an ever-increasing range of options based as much upon personalisation and comfort as they were to efficiency, while in Europe levels of style and sophistication were reaching their zenith.

Ford decided to try and outdo both.

The result was really only a single solution that went under many names, but for the sake of brevity it shall be called the 1932 Model B. As many major components as possible were carried over from the Model A but alongside the traditional 4-cylinder engine but alongside it in the showrooms was something rather special: a Monobloc V8 called the Model 18.

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Ford’s version of the Monobloc V-8: the side-valve ‘Flathead V-8’

This was a Model B fitted with what Ford called its ‘Flathead V-8’. At a stroke, the Blue Oval could offer a smoother-running, more powerful engine for just $10 more than the standard 4-cylinder model. In total the Model B was also available with an array of 14 body styles, from standard sedans through roadsters, coupés, woodies and trucks… the very model of platform-sharing diversity.

The Model B and Ford’s Flathead V-8 became motoring icons overnight – and remained that way for decades. They were cheap to buy, relatively cheap to maintain and sold at a rate in excess of 300,000 units per year.

In 1933 the Model B was reworked again. As Ford’s motor won a following, so the car that it belonged to was given a longer wheelbase, a radiator grille shaped like a medieval knight’s shield and smoothed out styling on the inside and out. The Flathead V-8 was also tweaked; gaining better ignition to boost power. This would become the Model C, with the Flathead V-8 version being named the Model 40.

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The 1933 Ford put a stylish face on a wide array of bodies

 

The V8 took hold among all American automobile manufacturers thereafter, but thanks to its low cost and endless variety of cars, Ford produced arguably the greatest icon of American motoring between the wars.

Not only that, but there were now European Ford V8s being built in England and Germany, led by the Ford V-8 Pilot. It was a boon to moonshine runners during prohibition, and in this era of Jimmy Cagney and Humphrey Bogart, the whole world fell under the spell of these smooth American engines.

During World War 2, V12s were the weapon of choice in the air but in the late 1940s, Ford’s faithful Flathead V-8 was still a mainstay of post-war motoring. It became the focus of a cottage industry of tuners and tweaks – either those who wanted to race on the drag strip and stock car circuit or continue to keep one step ahead of the law.

The birth of the hot rod movement and the NASCAR stock car racing series ensured that Flathead V-8s remained at the forefront. Kids bought them, stripped them, tuned them and had a whale of a time in their Little Deuce Coupes and a whole host of other variations on the theme.

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The Beach Boys had their ’32 Ford – the Little Deuce Coupe

But then in the mid-Fifties, General Motors went and moved the goalposts with its ‘small block’ V8. This was a relatively fuel-efficient 90-degree V8 with overhead valves and pushrod valve train that would set new standards for light weight, compact size, general simplicity and remarkable durability.

After 40 years, the V8 Monobloc was history.

Chevrolet’s V8 became – and largely remains – the weapon of choice for America’s hot rodders and racers, who called it the Mighty Mouse for its ability to punch above its weight in the tuning shop – and colloquially the Mouse ever after. And among the legions of fans that the Mouse has won over the years was a man called Billy Gibbons, who is also among the world’s finest blues guitarists and one third of the boogie-rock band ZZ Top.

In 1976, Gibbons went to Don Thelen of Buffalo Motor Cars and Ronnie Jones of Hand Crafted Metal. The guitarist wanted to create the ultimate hot rod with the iconic looks of the 1933 Ford Model C and the refined power of a small block Chevy. It would take seven years to realise that dream – and the result was the legendary ZZ Top Eliminator.

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Billy Gibbons (centre), with Frank Beard (thank you Matthew Carter!) and Dusty Hill – ZZ Top

While the car was being completed, Gibbons just happened to be in the process of turning ZZ Top’s brand of gnarly Texan blues-rock into a powerhouse of radio-friendly unit shifters. ZZ Top created an album that was to become as much a part of the Eighties cultural experience as Tom Cruise, big hair and shoulder pads… and it too was called Eliminator.

The completed car became the basis for the album’s artwork. It also starred in all of the videos for the hit singles that it spawned – Gimme All Your Lovin, Sharp Dressed Man and Legs. In fact the car provided the story in all the videos, in which young men were rescued from Cinderella-style drudgery by a bevy of beautiful women, who scooped them up and carried them off in the Eliminator to a world of good times, cheap sunglasses and bearded blues-rock.

Nice!

Now, there are few elements of the American Dream that are as instantly recognisable as the burble of a V8 engine. It’s a 90-year love affair that shows no sign of slowing down, for all the Elon Musks of the world. So just remember, next time you see a Hot Rod or watch a NASCAR race – or when your favourite TV cop arrives at a crime scene in a jet black Escalade – it’s as all-American as escargots de Bourgogne, fine champagne and fresh fougasse. Indeed, as all-American as the Statue of Liberty itself.

Vive les États-Unis d’Amérique!

56th Daytona 500

Blue skies at the Shuttleworth Collection

When the sun is out, there’s barely a whisp of cloud in the sky and the breeze wouldn’t trouble a house of cards there’s really only one place to be: Old Warden for a flying display.

While the rest of the nation was shedding a tear of joy or two over Prince Harry’s nuptials, a decent sized crowd went to Bedfordshire. They came to savour not only the regular field of aeroplanes from the Shuttleworth Collection’s unique array of vintage and veteran stock, but also the official return to flying duties of its unique Spitfire Mk.Vc after 12 years under restoration.

Given that it was an evening show, the S&G wasn’t able to linger and enjoy the undoubted stars of the show, the WW1 and Edwardian machinery, take to the air on such a still and clear night. Nevertheless, there is never a day when one feels short-changed by seeing even a portion of the schedule at Old Warden, so here are the highlights.

First of all: what was to be found on the ground:

 

And here’s what was seen during the air displays:

 

As the long days of summer hopefully stick with us until the new academic year and beyond, it’s always worth keeping an eye on what’s going on at Old Warden, particularly with a brood to entertain.